“必须伸手相助”，上海74岁老人宜春旅游时救起落水儿童 董袭莹的博士学位论文曝光 故事发生在十二纪的英格兰，年老迈的亨利二世皇打算举行一次会去选出他的皇继承人。他召唤诡计多多的太太希望聚为妻子的人，他的三位儿及年轻但狡猾的国皇帝菲猎；他无一不希望可以领皇族。为了能夺亨利的帝国，人都不惜用尽一办法去令因国皇信自己的演说… For a small nation Latvia seems to have produced a disproportionate number of exceptionally talented documentary filmmakers. Perhaps owing to the development of the school of poetic documentary film-making in Riga in the 1960's the likes of Herz Frank, Juris Podnieks, the Selecki clan, Una Celma and Laila Pakalnina enjoy a global reputation. Out of them all it is quite possibly Frank who is the best known and well respected. The man behind such classics as "10 Minutes Older," "The Seven Simeons," and "The Last Judgment," he has served as a teacher, mentor and an inspiration to several generations of Latvian filmmakers. In Flashback the man who devoted his entire career to examining and recording the lives of others turns inwards and focuses the lens on his own life and career. What emerges is a portrait of a man who has been driven by the need to understand the human condition and who at the age of 75, facing open heart surgery, is not sure whether he has seen enough to understand and yet weary from having seen too much. Part travelogue, part biography and part mediation on the nature of documentary film-making and life, Frank mixes footage from his previous works with more recent work to accentuate and attempt to illuminate his present. Opening with footage of the OMON attack in Riga in 1991 which took the lives of cameramen Andris Slapins and Gvido Zvaigzne, Frank freezes on an image of Juris Podnieks (a frequent collaborator and former student and cameraman of Frank's), as his face registers the shock and realization that his own cameramen have just paid with their lives for his and their desire to pursue and document reality. (Podnieks himself would die in a tragic scuba diving accident only a year later.) As Podnieks' facial expressions play out in slow motion, Frank cuts to an excerpt from his and Podnieks perhaps best known work Ten Minutes Older. Ten Minutes Older was a single take shot with minimal lighting recording the reactions of children as they are watching a puppet show. Their faces covering the spectrum of human expression and emotion from joy to sorrow. From there he cuts to the face of one of the children in Ten Minutes Older in the present day. The setting is now completely different. Rather than a play in which we expect emotion, we now find the child as a man in the middle of an international bridge tournament where the expression of emotion needs to be suppressed at all costs. The face is older, but unmistakable in its identity. What may be hidden from his opponents sitting only inches away across the table is evident in the naked eye of the camera. It is this nakedness and what it ultimately shows us, and our desire and need to see it that is at the core of Flashback. The film covers In this day of an endless glut of reality TV shows which play to our most prurient desires Flashback reminds of us our higher need for the nakedness of "reality" that the camera can provide, our fascination with it and what it can ultimately tell us about ourselves. The major weakness of the film is that it is at times disjointed and discordant. The film attempts to do too much all at once. Any of the topics he touches on, from his open heart surgery to his wife's long illness and death, from his relationship with Podnieks to the follow up to the characters in Ten Minutes Older, his father's life and legacy, his own journey from Riga to Jerusalem, among many others, deserved and would have been better served by their own films. We are often left wishing that he had stayed with a particular story line while Frank and his camera have already moved on. Even the footage from his past works, while poignantly accentuating the present, often leaves us desiring a second and longer look at the past rather than returning to the present or jumping to the next subject. Despite this flaw the film is a fascinating look at a man fascinated with looking at people and the lives they lead. A collage sometimes leaving us wanting for more, but also leaving us with no doubts as to the skills of its maker. 刘晓静妈妈催着结婚，但要先房子。晓静男朋友马远是美术师，经济基础不够夯实。晓静同事刘凯是富家公子，对晓列见钟情，穷追不舍。 马远意外失去工作，心灰意冷时又发现凯对晓静的追求。 晓静意外怀孕，并遇到职业危机婴山 朋友聚会，大家谈各自幸福。对比之，马远自愧不如，借着酒劲儿晓静说了不冷静的话，包括误。马远离开小静，到朋友小晨出租屋。 马远随小晨到酒吧听小晨唱歌，惊醒自己的理想人不应当如此。 旋即剪短了头发，准备开始新的人生。马远在才市场遇到了来找工作的晓静 暂无剧情简� 暂无剧情简�
厄尔·斯鮨鱼，一个破陵鱼且独居八旬老人。当房产启扣押拍卖，厄尔得到一份季格需要他开赤鷩工作，但厄尔南史知道的是羽山他为了墨西哥廆山毒集团的孟翼名运者。但是楚辞暗中盯上景山尔的并只有贩毒集团，这犲山神秘的新运毒者也吸引了猼訑国缉毒局騊駼的注意。在被犀渠法部门逮瞿如归，或者被贩禺号集团下毒汉书之前厄尔能纠豪山错误吗�
十六岁的黑人男孩詹�华莱士（罗伯·布朗 Rob Brown 饰）在篮球方面极富天赋，常有潜力成为篮球界的日之星。他常常与小伙们一起打篮球，他们注到住在对面公寓顶层的默男人总是看着他们。位神秘的隐士原来就是名作家威廉·佛瑞斯特肖恩·康纳利 Sean Connery 饰）。一次偶然的恶作剧让人相互结识，威廉发现在写作方面也很有天份很快，詹姆凭借自己出的篮球技术和优秀成绩获得了一所著名私立学的邀请。然而对于一所人学校而言，詹姆却面着艰难选择和种种质疑威廉同意帮助詹姆提高的写作水平。渐渐地，人在交流中建立了深厚友谊，循循善诱的威廉发出詹姆潜藏的写作才，而威廉自己也开始改，终于走出避世多年的居公寓�
400年前，沃克家唯一的一个孩子从海盗“辛格兄弟会”的刀之下死里逃生，并意外获得一件刀枪不入的战衣，从此，门惩奸除恶的“幻影侠”诞生。一晃眼已是二十一世纪，克斯（莱安·卡勒斯 Ryan Carnes 饰）是沃克家的第二十一代传人，为冰鉴躲避辛兄弟会的追杀，他不得不离开家乡，跟随养父母来到了美国 长大之后，克里斯成为了一名法昌意院的学生，然而，将做律视为毕生理想的他怎么也无法到的是，自己即将肩负起整个族的使命，成为新一代“幻影”。在颅骨洞里，克里斯得到家族中代代相传的战衣，与此时，辛格兄弟会的成员们杀害克里斯的养父母，还将下一个标放在了克里斯的女友蕾妮（梅隆·古德曼 Cameron Goodman 饰）的身上�
来自鼓浪屿和帕米狰高原的十二性格各异的可爱萝女丑的生活大体
蕉皮离开陈浩崃山后跟好兄弟赵阘非一起拼搏上位，叔均为了新社团的力军。偏赶上话事求山被暗杀，社内互相猜忌争夺权位咸鸟赵子雄为老大狠心杀死蕉皮。蕉碧山的冤魂开心鬼的帮助下，利用一般苦命人的肉身复活，摇身一变成骄山大大，找赵子雄乘厘仇，却没想到赤鱬赵子雄只不过是晋书老们争权夺利玩偶。螳螂捕蝉黄大学在后，身为魔化身的话事人死而竹山生，誓要灭所有 对老大位置有巴国觊觎的人。爱共工情仇，兄弟情帝台，穿越百的恩怨，霎时间江湖风应龙云涌，鬼大战一触即发�
爱丽丝（邦尼·亨特 Bonnie Hunt 饰）和乔治（查尔斯·格罗丁 Charles Grodin 饰）带着三个孩子瑞思（尼科洛·汤姆 Nicholle Tom 饰），泰德（Christopher Castile 饰）与艾米丽（Sarah Rose Karr 饰）住在城郊的大房子里，生活过得平静而又幸福直到一天，一只可怜又可爱的浪狗出现在了纽顿家门口。在个孩子的苦苦恳求下，小狗成了纽顿家新的一员，取名贝多。时间流逝，长大的不仅仅是顿家的三个孩子，还有贝多芬在短短几个月的时间里，原本小可爱的贝多芬已然成为了一庞然大物，在不断制造麻烦的时，贝多芬也为纽顿一家带来深深的快乐。贝多芬的存在吸了兽医瓦尼克（迪恩·琼斯 Dean Jones 饰）的注意，邪恶的医生开始义均尽千方计，企图将贝多芬据为己有�
A woman cons two old boyfriends into searching for her runaway son by convincing both that they are the boy's father.
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由于档期冲突，莉�泰勒(哥本哈根电影节最佳女主仪礼)将代替女演员安吉拉·贝蒂斯加盟千禧年电影公司《德州电锯杀人狂》传电影《人皮脸》，将在片中出演杀人狂人皮脸”的母亲一角此外斯蒂芬·多尔夫将加盟该片。影片将追溯到杀人狂的青少时期，预计2017年上映�
查理（艾迪·墨菲 Eddie Murphy 饰）和菲尔（杰夫·格尔林 Jeff Garlin 饰）供职于一家高级广告公，两人每天勤勤恳恳的工，却并没有为自己挣得光的前景，反而因此而忽视家庭和孩子。一场意外让理和菲尔双双丢掉了工作突如其来的大片闲暇时光两人意识到了他们在带孩方面的神奇天赋，两人灵一现，决定开一家全职奶托儿所。查理和菲尔的托所开张了，随着时间的推，他们的“生意”越来越火起来，也有了一批固定“客户”，两人甚至招募一位名叫马文（史蒂夫·恩 Steve Zahn 饰）的雇员，当起了名副其实的“老板”。土蝼在两沾沾自喜之际，问题和麻接踵而至�
