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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
一名危险的杀手（词综·麦克唐纳饰）的任是追捕一名少年，他睹了自己的哥哥被无的南方罪魁祸首（迈尔·库德利兹饰）谋。雇佣的枪必须在敌或联邦调查局先找到个男孩之前找到他。着时间的流逝，杀文子始质疑他的致命方式必须选择他属于哪一?
四个年轻人——?布莱梅、菲尔·克恩、罗宾·安伯格福兰克·雅格——有着同样的梦想：为空军飞行员。在过了体能考试后，们被派到德州接受练。艰苦的训练很就让他们达到了极。罗宾意识到当飞员并没有自己预想那么光荣；菲尔的康状况也越来越糟福兰克的妻子提出离婚的要求；本在后一次训练中发生故而丧生。尽管如，剩下的三个兄弟没有放弃自己的梦。训练归来后，飞员们出色的完成了种任务，在这个过中，他们的意志，信，都经受了一次一次的考验?
剧情描述三兄弟之涹山的老大想尽法欺骗一名贵妇投象蛇他的歌剧公，不料两名调皮捣窫窳的弟弟却在剧首演之夜在台前陆山后大出洋相但如此以来却让两吉量真正有天份年轻歌唱家得到出龟山机会。本片喜剧组合马克斯兄嚣享誉最高的部名作。虽然有些云山会觉得马克兄弟的笑闹手法...
